{"id":116818,"date":"2022-09-22T08:00:00","date_gmt":"2022-09-22T15:00:00","guid":{"rendered":"https:\/\/acousticguitar.com\/?p=116818"},"modified":"2023-05-31T20:00:30","modified_gmt":"2023-06-01T03:00:30","slug":"which-alternate-tunings-are-most-commonly-used-in-blues","status":"publish","type":"post","link":"https:\/\/acousticguitar.com\/which-alternate-tunings-are-most-commonly-used-in-blues\/","title":{"rendered":"Which Alternate Tunings are Most Commonly Used in Blues?"},"content":{"rendered":"\n<p>The two principal open tunings have old, vernacular American names that I still like to use: Vastopol and Spanish. Rather than conceptualize tunings by a letter name that corresponds to a particular key (i.e., \u201copen A\u201d or \u201copen D\u201d), it\u2019s useful to think of them in terms of the intervals of which they\u2019re composed. That\u2019s what these names are about.<\/p>\n\n\n\n<p>Vastopol tuning, usually an open D or E major chord, is named for a popular 19th-century guitar instrumental called \u201cSebastopol.\u201d (It\u2019s a port on the Black Sea, the scene of a pivotal engagement in the Crimean War!) Here are the notes of the D and E versions of Vastopol, low to high, followed by the scale degrees for each note. The 1 refers to the <em>tonic <\/em>or <em>root <\/em>note of the chord, 5 is the fifth, and 3 is the third.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1082\" height=\"308\" src=\"https:\/\/i2.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Vastopol-Tuning-Blues-Guitar.png?fit=1024%2C291&amp;ssl=1\" alt=\"Vastopol tuning for guitar\" class=\"wp-image-116820\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Vastopol-Tuning-Blues-Guitar.png?w=1082&amp;ssl=1 1082w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Vastopol-Tuning-Blues-Guitar.png?resize=300%2C85&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Vastopol-Tuning-Blues-Guitar.png?resize=1024%2C291&amp;ssl=1 1024w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Vastopol-Tuning-Blues-Guitar.png?resize=768%2C219&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Vastopol-Tuning-Blues-Guitar.png?resize=500%2C142&amp;ssl=1 500w\" sizes=\"(max-width: 1082px) 100vw, 1082px\" \/><\/figure>\n\n\n\n<p>Spanish tuning also takes its name from a parlor guitar favorite, \u201c<a href=\"https:\/\/store.acousticguitar.com\/products\/spanish-fandango?utm_source=article&amp;utm_medium=link&amp;utm_campaign=article_linking\" target=\"_blank\" rel=\"noreferrer noopener\">Spanish Fandango<\/a>.\u201d Here\u2019s the most common G version, followed by the A version and the scale degrees:<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1068\" height=\"336\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Spanish-Fandango-Blues-Guitar.png?fit=1024%2C322&amp;ssl=1\" alt=\"Spanish tuning for guitar\" class=\"wp-image-116821\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Spanish-Fandango-Blues-Guitar.png?w=1068&amp;ssl=1 1068w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Spanish-Fandango-Blues-Guitar.png?resize=300%2C94&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Spanish-Fandango-Blues-Guitar.png?resize=1024%2C322&amp;ssl=1 1024w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Spanish-Fandango-Blues-Guitar.png?resize=768%2C242&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Spanish-Fandango-Blues-Guitar.png?resize=500%2C157&amp;ssl=1 500w\" sizes=\"(max-width: 1068px) 100vw, 1068px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe class=\"youtube-player\" width=\"1290\" height=\"726\" src=\"https:\/\/www.youtube.com\/embed\/YhAtn99u-Iw?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p>Notice that in Vastopol, the first degree of the scale (or <em>root<\/em>), corresponding to the key of the tuning, falls on the sixth, fourth, and first strings. In Spanish it\u2019s the fifth and third strings. Observe also that both tunings are composed of the first, third, and fifth degrees of the major scale\u2014comprising a major chord triad. Open minor tunings are also used in blues music. The best example in the acoustic genre is the music of Skip James. His \u201ccross minor\u201d tuning is reached by lowering the third string in Vastopol a half step, as follows:<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1072\" height=\"308\" src=\"https:\/\/i2.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Skip-James-Cross-Minor-Blues-Guitar-Tuning.png?fit=1024%2C294&amp;ssl=1\" alt=\"Vastopol tuning variation for guitar called &quot;Cross tuning&quot;\" class=\"wp-image-116822\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Skip-James-Cross-Minor-Blues-Guitar-Tuning.png?w=1072&amp;ssl=1 1072w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Skip-James-Cross-Minor-Blues-Guitar-Tuning.png?resize=300%2C86&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Skip-James-Cross-Minor-Blues-Guitar-Tuning.png?resize=1024%2C294&amp;ssl=1 1024w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Skip-James-Cross-Minor-Blues-Guitar-Tuning.png?resize=768%2C221&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Skip-James-Cross-Minor-Blues-Guitar-Tuning.png?resize=500%2C144&amp;ssl=1 500w\" sizes=\"(max-width: 1072px) 100vw, 1072px\" \/><\/figure>\n\n\n\n<p>I\u2019ve also gotten some use out of a minor variant of Spanish tuning, which works especially well for playing slide guitar:<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1060\" height=\"288\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Minor-Spanish-Blues-Slide-Guitar-Tuning.png?fit=1024%2C278&amp;ssl=1\" alt=\"Spanish tuning variation for slide guitar\" class=\"wp-image-116823\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Minor-Spanish-Blues-Slide-Guitar-Tuning.png?w=1060&amp;ssl=1 1060w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Minor-Spanish-Blues-Slide-Guitar-Tuning.png?resize=300%2C82&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Minor-Spanish-Blues-Slide-Guitar-Tuning.png?resize=1024%2C278&amp;ssl=1 1024w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Minor-Spanish-Blues-Slide-Guitar-Tuning.png?resize=768%2C209&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/Minor-Spanish-Blues-Slide-Guitar-Tuning.png?resize=500%2C136&amp;ssl=1 500w\" sizes=\"(max-width: 1060px) 100vw, 1060px\" \/><\/figure>\n\n\n\n<p>Another tuning commonly used in acoustic blues is called dropped-D: simply lower the sixth string in standard tuning from E to D (a whole step) and play in the key of D. Examples of its use can be found in the playing of Tommy Johnson (\u201c<a href=\"https:\/\/amzn.to\/3b2Zkn0\" target=\"_blank\" rel=\"noreferrer noopener\">Canned Heat<\/a>\u201d), Willie McTell (\u201c<a href=\"https:\/\/amzn.to\/3b32oiI\" target=\"_blank\" rel=\"noreferrer noopener\">Statesboro Blues<\/a>\u201d), and Lonnie Johnson. Speaking of Lonnie Johnson, he sometimes used an open sixth tuning, like Spanish but with the first string raised a whole step to a major sixth.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1012\" height=\"194\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/dropped-d-blues-guitar-tuning.png?resize=1012%2C194&#038;ssl=1\" alt=\"Dropped-D tuning for blues guitar\" class=\"wp-image-116824\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/dropped-d-blues-guitar-tuning.png?w=1012&amp;ssl=1 1012w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/dropped-d-blues-guitar-tuning.png?resize=300%2C58&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/dropped-d-blues-guitar-tuning.png?resize=768%2C147&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/dropped-d-blues-guitar-tuning.png?resize=500%2C96&amp;ssl=1 500w\" sizes=\"(max-width: 1012px) 100vw, 1012px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>With some practice, it\u2019s not hard to recognize these tunings by ear.<\/p>\n\n\n\n<p>For answers to 50 key questions about the blues, check out <em><a href=\"https:\/\/store.acousticguitar.com\/products\/inside-blues-guitar?utm_source=article&amp;utm_medium=link&amp;utm_campaign=article_linking\" target=\"_blank\" rel=\"noreferrer noopener\">Inside Blues Guitar<\/a><\/em>.<\/p>\n\n\n\n<p>For a slide-guitar arrangement of &#8220;Spanish Fandango,&#8221; featuring detailed notation and tab, <a rel=\"noreferrer noopener\" href=\"https:\/\/store.acousticguitar.com\/products\/spanish-fandango?utm_source=article&amp;utm_medium=link&amp;utm_campaign=article_linking\" target=\"_blank\">click here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The two principal open tunings used in blues guitar playing have old, vernacular American names: Vastopol and Spanish.<\/p>\n","protected":false},"author":5,"featured_media":116836,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"The two principal open tunings used in blues guitar playing have old, vernacular American names that I still like to use: Vastopol and Spanish.","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[1665,1656],"tags":[],"ppma_author":[1631],"blocksy_meta":[],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2020\/04\/blues-tunings-acoustic-guitar-how-to-alternate-blues-tunings-e1634851236976.jpg?fit=800%2C483&ssl=1","authors":[{"term_id":1631,"user_id":0,"is_guest":1,"slug":"steve-james","display_name":"Steve James","avatar_url":{"url":"https:\/\/acousticguitar.com\/wp-content\/uploads\/2020\/03\/Steve_James.jpg","url2x":"https:\/\/acousticguitar.com\/wp-content\/uploads\/2020\/03\/Steve_James.jpg"},"user_url":"https:\/\/stevejames.com\/","last_name":"James","first_name":"Steve","description":"The late, great Steve James was a noted roots musician and raconteur. He is the author of <a href=\"https:\/\/store.acousticguitar.com\/collections\/the-essential-steve-james\">several well-regarded books on blues guitar<\/a>."}],"_links":{"self":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/116818"}],"collection":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/comments?post=116818"}],"version-history":[{"count":5,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/116818\/revisions"}],"predecessor-version":[{"id":136381,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/116818\/revisions\/136381"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/media\/116836"}],"wp:attachment":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/media?parent=116818"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/categories?post=116818"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/tags?post=116818"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/ppma_author?post=116818"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}