{"id":121641,"date":"2021-12-06T08:25:00","date_gmt":"2021-12-06T16:25:00","guid":{"rendered":"https:\/\/acousticguitar.com\/?p=121641"},"modified":"2023-05-31T20:22:56","modified_gmt":"2023-06-01T03:22:56","slug":"laura-snowden-performs-the-parting-glass-acoustic-guitar-sessions-in-place","status":"publish","type":"post","link":"https:\/\/acousticguitar.com\/laura-snowden-performs-the-parting-glass-acoustic-guitar-sessions-in-place\/","title":{"rendered":"Laura Snowden Performs &#8216;The Parting Glass&#8217; | Acoustic Guitar Sessions in Place"},"content":{"rendered":"\n<p><strong><a rel=\"noreferrer noopener\" href=\"http:\/\/www.laurasnowden.co.uk\/\" target=\"_blank\">Laura Snowden<\/a><\/strong> is a young master of the guitar, with quite a pedigree. She was the first guitarist to graduate from the Yehudi Menuhin School (her attendance was made possible by a donation from the Rolling Stones), her folk ensemble, Tir Eolas, performed at Shakespeare&#8217;s Globe Theater, and her premiere of Julian Bream-commissioned \u201cCatalan Peasant with Guitar\u201d was hailed by <em><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.theguardian.com\/music\/2015\/nov\/23\/laura-snowden-review-wigmore-hall-london-britten-julian-bream\" target=\"_blank\">The Guardian<\/a><\/strong><\/em> and <em><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/classicalguitarmagazine.com\/laura-snowden-dazzles-with-premiere-and-old-favorites-at-wigmore-hall\/\" target=\"_blank\">Classical Guitar Magazine<\/a><\/strong><\/em>. <\/p>\n\n\n\n<p>Since live performances still fall into the categories of cherished memories and hopeful futures, Snowden agreed to participate in our <a rel=\"noreferrer noopener\" href=\"https:\/\/acousticguitar.com\/category\/sessions\/\" target=\"_blank\">Acoustic Guitar Sessions in Place<\/a> series. Filmed at her home in England, Snowden performs her arrangement of  \u201cThe Parting Glass,\u201d a traditional Scottish song.<\/p>\n\n\n\n<p>She plays a spruce Christopher Dean guitar. \u201cIt&#8217;s so responsive, and I can play with all different colors on the instrument,\u201d she says.<\/p>\n\n\n\n<p>Stay tuned after the performance for a little lesson on using vibrato with harmonics. Snowden acknowledges that her pairing of these techniques might be a bit unusual, but finds \u201cit can actually be a really nice way of getting [the notes] to sing a bit more.\u201d<\/p>\n\n\n\n<p>If you want to learn the piece, Laura has a PDF of the score (standard notation and TAB) <a href=\"https:\/\/payhip.com\/laurasnowdenguitar\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>available for purchase here<\/strong><\/a>.<\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/www.ioannistheodoridis.com\/videoproduction\" target=\"_blank\"><em>VIDEO BY IOANNIS THEODORIDIS<\/em><\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Classical guitarist Laura Snowden performs &#8220;The Parting Glass&#8221; and discusses her Christopher Dean guitar in this Acoustic Guitar Session in Place.<\/p>\n","protected":false},"author":2,"featured_media":121644,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"Classical guitarist Laura Snowden performs \"The Parting Glass\" and discusses her Christopher Dean guitar in this Acoustic Guitar Session in Place.","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[1531],"tags":[1332],"ppma_author":[1542],"blocksy_meta":[],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2021\/01\/Laura-Parting-Glass-for-Acoustic-Guitar-Magazine.00_01_44_22.Still002-e1638893649799.jpg?fit=800%2C450&ssl=1","authors":[{"term_id":1542,"user_id":2,"is_guest":0,"slug":"joeystringletter-com","display_name":"Joey Lusterman","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/436b88127a7aed4992dc57eb6efc6353?s=96&d=mm&r=g","user_url":"","last_name":"Lusterman","first_name":"Joey","description":"Opinionated creative slash beginning guitarist. Joey has worked in every department at <em>Acoustic Guitar<\/em> in the past 10+ years: front desk, ad sales, editorial, sound guy, camera man, booth babe, email coder, podcast editor, photographer, book designer\u2026"}],"_links":{"self":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/121641"}],"collection":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/comments?post=121641"}],"version-history":[{"count":5,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/121641\/revisions"}],"predecessor-version":[{"id":136260,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/121641\/revisions\/136260"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/media\/121644"}],"wp:attachment":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/media?parent=121641"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/categories?post=121641"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/tags?post=121641"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/ppma_author?post=121641"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}