{"id":125736,"date":"2021-11-17T08:10:00","date_gmt":"2021-11-17T16:10:00","guid":{"rendered":"https:\/\/acousticguitar.com\/?p=125736"},"modified":"2023-05-31T20:08:40","modified_gmt":"2023-06-01T03:08:40","slug":"guitar-review-epiphone-inspired-by-gibson-hummingbird","status":"publish","type":"post","link":"https:\/\/acousticguitar.com\/guitar-review-epiphone-inspired-by-gibson-hummingbird\/","title":{"rendered":"Guitar Review: Epiphone Inspired by Gibson Hummingbird"},"content":{"rendered":"\n

The Hummingbird, Gibson\u2019s iconic square-shouldered dreadnought, has been the stuff of dreams for over 50 years, showing up in the hands of everyone from Keith Richards to Sheryl Crow, and a new generation seems equally intent on making it a go-to. But with its distinctive flared pickguard\u2014depicting a floral scene and a hovering hummingbird\u2014the guitar, new or used, has remained a fairly pricey choice.<\/p>\n\n\n\n

\"Epiphone<\/a><\/figure>\n\n\n\n

That\u2019s what makes the new Epiphone Inspired by Gibson Hummingbird<\/a>\u2014part of a line that also includes versions of the classic J-45 and J-200, among other acoustics\u2014so compelling. At press time, asking prices of 1960s Gibson examples on Reverb.com<\/a> ranged from around $3,250 to $9,600. Gibson\u2019s new flagship Historic 1960 Hummingbird will set you back five grand, while the Hummingbird Original goes for $3,849. The street price on Epiphone\u2019s Inspired by Gibson Hummingbird? Just $799\u2014and you get much of the vibe of its costlier Gibson counterparts, as I discovered when I put the guitar through its paces.<\/p>\n\n\n\n

\"Epiphone<\/a><\/figure>\n\n\n\n

Inside the Details<\/strong><\/h3>\n\n\n\n

The basic Hummingbird recipe, first cooked up in 1960, is not especially complex: solid Sitka spruce top; mahogany back, sides, and neck; and vibrant cherry sunburst or natural finish, all of which are identical on Epiphone\u2019s new iteration of the Hummingbird. What\u2019s different about the Epiphone Hummingbird? Not a lot. OK, the nut width is slightly slimmer than the original Gibson\u2019s 1.72 inches, but only by a fraction, at 1.69. The Epiphone\u2019s fretboard and bridge are made of Indian laurel, rather than rosewood, and, as would be expected, the guitar has a polyurethane finish, as opposed to nitrocellulose lacquer.<\/p>\n\n\n\n

But the Epiphone retains many of the original Gibson details. You still have those iconic Hummingbird pickguard graphics and the awesome mother-of-pearl split parallelogram fretboard markers. You get the cool Epiphone Deluxe tuning machines with their press-in gold bushings and Kluson-style tulip pegs. Our review model sported the Aged Antique Natural finish, a lovely muted amber with a soft patina-like effect, and the instrument is also available in the equally attractive Aged Cherry Sunburst. But it\u2019s not just another pretty six-string\u2014the build quality on the Epi Hummingbird is excellent, with the bracing and interior tidy and tight. This is an all-solid-wood guitar and it feels like one.<\/p>\n\n\n\n

Highly Playable and Fine-Sounding<\/strong><\/h3>\n\n\n\n

Let\u2019s talk sound and playability. While I can\u2019t speak for every Epiphone that ships out, this one came well set-up from the factory, with a set of Gibson phosphor bronze strings (.012\u2013.053), and played easily at virtually every position on the neck. Frankly, this was not my experience on previous iterations of the Epiphone Hummingbird before Gibson\u2019s change of guard several years ago. There has clearly been a step-up in quality control across Gibson brands.<\/p>\n\n\n\n

\"Epiphone<\/a><\/figure>\n\n\n\n

Cowboy chords on the Hummingbird rang true and full, with a nice coppery top and plenty of balanced bottom end. Double-stops and single-note flatpicking up the neck produced a sweet character as well. The neck just feels good: There\u2019s plenty of room to move around, and there isn\u2019t abundant string squeak for some reason, either. Even big bold barre chords, bashed out with a little muscle, sound great on the Hummingbird. And while certainly not as rich and round as on, say, a fine Lowden, fingerpicking in a folk, blues, or British Isles fashion speaks with a bold voice as well. <\/p>\n\n\n\n

\"Epiphone<\/a><\/figure>\n\n\n\n

Given the instrument\u2019s low price, it\u2019s understandable that Epiphone outfitted the Hummingbird with Fishman\u2019s ubiquitous Sonitone undersaddle piezo system, though I sure wish it could have come with one of the electronics company\u2019s other excellent offerings. If you do a lot of live playing, you may want to explore other options, or consider sticking a boom mic in front of the guitar\u2014the review model had a lot of good projection, and even the higher strings didn\u2019t lose weight through a Rode NT1-A microphone in the studio. <\/p>\n\n\n\n

A Song Machine<\/strong><\/h3>\n\n\n\n

It\u2019s easy to talk about aspects like specs and build quality, but then there\u2019s that intangible with any acoustic guitar: is it a song machine? I wrote three or four new tunes within a day of receiving the Epiphone Inspired by Gibson Hummingbird; the pace has continued, and that tells me something important about the guitar.<\/p>\n\n\n\n

It\u2019s an instrument you\u2019ll want to look at a whole lot\u2014and, more significant, pick up and play often. By all means, go out and try a Gibson Hummingbird and then compare it to this fresh and lively Epiphone model. Don\u2019t even think about the price at first; just ask yourself which one gets your creative juices flying like a bird. Then smile at how the Epiphone\u2019s price tag lifts your feet off the floor just a little, too. <\/p>\n\n\n\n

Specs<\/strong><\/h3>\n\n\n\n

Body<\/strong> 14-fret square-shouldered dreadnought shape; solid Sitka spruce top with quartersawn spruce bracing; solid mahogany back and sides; reverse belly Indian laurel bridge with bone saddle; top and back multi-ply binding; tortoise pickguard with Hummingbird graphics; aged gloss finish (Cherry Sunburst or Antique Natural)<\/p>\n\n\n\n

Neck<\/strong> 24.72″-scale mahogany neck with rounded C shape; glued-in tapered dovetail joint; dual-action truss rod;
20 medium jumbo frets; Indian laurel fretboard with 12.01″ radius and mother-of-pearl split parallelogram inlays; 1.69″ bone nut; Epiphone Deluxe tuners with gold press-in bushings<\/p>\n\n\n\n

Other<\/strong> Fishman Sonitone electronics; Gibson phosphor bronze strings (.012\u2013.053); optional EpiLite case ($90); left-handed available<\/p>\n\n\n\n

Made in <\/strong>Indonesia<\/p>\n\n\n\n

Price<\/strong> $799 street<\/p>\n\n\n\n

epiphone.com<\/a><\/p>\n\n\n\n\n


<\/a>\n

This article originally appeared in the November\/December 2021<\/a> issue of Acoustic Guitar<\/em> magazine.<\/p>\n<\/div>
\n\n\n\n

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The street price on Epiphone\u2019s “Inspired By Gibson” Hummingbird acoustic guitar? Just $799\u2014and you get much of the vibe of its costlier Gibson counterparts.<\/p>\n","protected":false},"author":5,"featured_media":125596,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"The street price on Epiphone\u2019s Inspired By Gibson Hummingbird acoustic guitar? Just $799\u2014and you get much of the vibe of its costlier Gibson counterparts.","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[1683],"tags":[381,135,1356],"ppma_author":[1597],"blocksy_meta":[],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2015\/11\/AG331-epiphone-hummingbird-pickguard.jpg?fit=750%2C500&ssl=1","authors":[{"term_id":1597,"user_id":0,"is_guest":1,"slug":"james-rotondi","display_name":"James Rotondi","avatar_url":{"url":"https:\/\/acousticguitar.com\/wp-content\/uploads\/2015\/11\/roto.jpg","url2x":"https:\/\/acousticguitar.com\/wp-content\/uploads\/2015\/11\/roto.jpg"},"user_url":"","last_name":"","first_name":"","description":"James Rotondi is a guitarist, journalist, and critic."}],"_links":{"self":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/125736"}],"collection":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/comments?post=125736"}],"version-history":[{"count":5,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/125736\/revisions"}],"predecessor-version":[{"id":136589,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/125736\/revisions\/136589"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/media\/125596"}],"wp:attachment":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/media?parent=125736"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/categories?post=125736"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/tags?post=125736"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/ppma_author?post=125736"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}