{"id":141863,"date":"2023-10-27T06:00:00","date_gmt":"2023-10-27T13:00:00","guid":{"rendered":"https:\/\/acousticguitar.com\/?p=141863"},"modified":"2023-12-04T10:01:19","modified_gmt":"2023-12-04T18:01:19","slug":"learn-to-play-tracy-chapmans-groundbreaking-hit-fast-car","status":"publish","type":"post","link":"https:\/\/acousticguitar.com\/learn-to-play-tracy-chapmans-groundbreaking-hit-fast-car\/","title":{"rendered":"Learn to Play Tracy Chapman\u2019s Groundbreaking Hit \u201cFast Car\u201d"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"750\" height=\"500\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2023\/09\/Tracy-Chapman-photo-Hans-Hillewaert.jpg?resize=750%2C500&#038;ssl=1\" alt=\"Tracy Chapman singing and playing guitar\" class=\"wp-image-141865\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2023\/09\/Tracy-Chapman-photo-Hans-Hillewaert.jpg?w=750&amp;ssl=1 750w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2023\/09\/Tracy-Chapman-photo-Hans-Hillewaert.jpg?resize=500%2C333&amp;ssl=1 500w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2023\/09\/Tracy-Chapman-photo-Hans-Hillewaert.jpg?resize=300%2C200&amp;ssl=1 300w\" sizes=\"(max-width: 750px) 100vw, 750px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\"><em>Hans Hillewaert Photo<\/em><\/figcaption><\/figure>\n\n\n\n<p>In an era when synthesizers and hair bands ruled pop radio, Tracy Chapman\u2019s \u201cFast Car,\u201d from her 1988 self-titled debut, was a startling success\u2014landing the 24-year-old folksinger a spot on the Top Ten and the Grammy stage. And 35 years later \u201cFast Car\u201d broke ground yet again, as Luke Combs\u2019 reverent cover topped the country airplay chart in the summer of 2023, making Chapman the first Black woman with a sole writing credit for a No. 1 country song.&nbsp;<\/p>\n\n\n\n<p>Even after all this time and many other covers (Passenger, Black Pumas, Jonas Blue), <a href=\"https:\/\/amzn.to\/474VENZ\" data-type=\"link\" data-id=\"https:\/\/amzn.to\/474VENZ\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cFast Car\u201d<\/a> feels as vital as ever. It is, especially, a brilliant piece of storytelling\u2014a powerful narrative of a woman dreaming of escape from poverty, with a kind of realism and emotional authenticity that few songwriters achieve.&nbsp;<\/p>\n\n\n\n<p>\u201cFast Car\u201d has a distinctive guitar part, too\u2014it\u2019s a cousin of Paul McCartney\u2019s \u201cBlackbird,\u201d with a melody line that moves up and down the second string over the drone of the open third string.&nbsp;<\/p>\n\n\n\n<p>To play \u201cFast Car,\u201d capo at the second fret. The song uses key-of-G shapes (sounding in A with the capo), but no chord sequence in the verse or chorus ends on a G, so the harmony feels unresolved until you land on a G for the very last chord\u2014an appropriate choice for a song about seeking elusive stability and comfort. Chapman suggests a subtle resolution in the closing lyrics too, as the narrator switches from wishing for escape with her partner earlier in the song to telling him to \u201ctake your fast car and keep on driving.\u201d<\/p>\n\n\n\n<p>The notation shows the eight-bar intro; the first two measures (which repeat) also serve as your verse accompaniment part and as the interludes throughout. Pick the down-stemmed notes with your thumb and the up-stemmed notes with your index and middle fingers. At the end of the first measure, slide your ring finger from the third fret up to the eighth for the Em.<\/p>\n\n\n\n<p>In the chorus, use simple open shapes as shown in the chord library, and switch to a strum with your fingers. The chorus, and its dream of breaking through to a better life, passes quickly, and the song returns to its cyclical verse pattern\u2014and to the day-to-day struggles that Chapman evokes so movingly. <\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><em>Due to copyright restrictions, we are unable to post notation or tablature for this musical work. If you have a digital or physical copy of the<\/em><strong><em>&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/store.acousticguitar.com\/products\/no-343-november-december-2023\" target=\"_blank\">November\/December 2023&nbsp;issue<\/a>&nbsp;<\/em><\/strong><em>of&nbsp;<\/em>Acoustic Guitar<em>&nbsp;magazine, you will find the music on page 50.<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div>\n<a href=\"https:\/\/store.acousticguitar.com\/products\/no-343-november-december-2023\" name=\"magazine\"><img decoding=\"async\" style=\"width: 150px; height: 198px; margin: 0px 20px 10px 0px;\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2023\/08\/001_343_Cover-150px.jpg?w=1290&#038;ssl=1\" alt=\"Acoustic Guitar magazine cover for issue 343\" data-recalc-dims=\"1\"><\/a>\n<p style=\"font-family: sans-serif; margin: 0px 0px 15px 0px;\">This article originally appeared in the <a href=\"https:\/\/store.acousticguitar.com\/products\/no-343-november-december-2023\">November\/December 2023<\/a> issue of <em>Acoustic Guitar<\/em> magazine.<\/p>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe class=\"youtube-player\" width=\"1290\" height=\"726\" src=\"https:\/\/www.youtube.com\/embed\/yvGfVdx-gNo?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Thirty five years after its release, this powerful narrative, with its distinctive guitar part, feels as vital as ever.<\/p>\n","protected":false},"author":5,"featured_media":141865,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"Thirty five years after its release, this powerful narrative, with its distinctive guitar part, feels as vital as ever.","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[1659,1653],"tags":[1930],"ppma_author":[1559],"blocksy_meta":[],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2023\/09\/Tracy-Chapman-photo-Hans-Hillewaert.jpg?fit=750%2C500&ssl=1","authors":[{"term_id":1559,"user_id":0,"is_guest":1,"slug":"jeffrey-pepper-rodgers","display_name":"Jeffrey Pepper Rodgers","avatar_url":{"url":"https:\/\/acousticguitar.com\/wp-content\/uploads\/2023\/06\/About-Us-8.jpg","url2x":"https:\/\/acousticguitar.com\/wp-content\/uploads\/2023\/06\/About-Us-8.jpg"},"user_url":"https:\/\/www.jeffreypepperrodgers.com\/","last_name":"","first_name":"","description":"Jeffrey Pepper Rodgers, founding editor of <em>Acoustic Guitar<\/em>, is a grand prize winner of the John Lennon Songwriting Contest and author of <a href=\"https:\/\/amzn.to\/3P3hwn9\"><em>The Complete Singer-Songwriter<\/em><\/a>, <a href=\"https:\/\/store.acousticguitar.com\/collections\/instruction\/products\/beyond-strumming\"><em>Beyond Strumming<\/em><\/a>, and other books and videos for musicians. In addition to his ongoing work with <em>AG<\/em>, he offers live workshops for guitarists and songwriters, plus video lessons, song charts, and tab, on <a href=\"https:\/\/www.patreon.com\/jeffreypepperrodgers\" target=\"blank\">Patreon<\/a>.\r\n"}],"_links":{"self":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/141863"}],"collection":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/comments?post=141863"}],"version-history":[{"count":5,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/141863\/revisions"}],"predecessor-version":[{"id":142941,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/141863\/revisions\/142941"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/media\/141865"}],"wp:attachment":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/media?parent=141863"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/categories?post=141863"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/tags?post=141863"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/ppma_author?post=141863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}